SOLO EXHIBITIONS

2014

Spill Paintings, Kavi Gupta CHICAGO | Project Space, Chicago, IL

 

2013

Domestic Abstractions: 1986 - 2013, Kavi Gupta BERLIN, Berlin, Germany

 

2012

Selected Works from the 80s and 90s, In/Situ at Expo Chicago, Chicago, IL

Rainbow, Sony Pictures Studios, Culver City, CA

 

2011

Tony Tasset, Kavi Gupta, Chicago

Judy, Leo Koenig, New York, NY

Life During War Time, Rochester Arts Center, Rochester, MN

 

2010

Selected Works 1986-1996, Kavi Gupta, Chicago, IL

Eye, Pritzker Park, Chicago, IL

 

2009

Squib, Kunsthalle Wien, Vienna, Austria

 

2008

Kavi Gupta Gallery/Leipzig, Germany

 

2007

Laumeier Sculpture Park, St. Louis, MO

 

2006

Frownland, VonZweck Gallery, Chicago IL

 

2003

University Galleries, Illinois State University, Normal, IL

Portland Institute for Contemporary Art, Portland, OR

 

2002

Feigen Contemporary, New York, NY

 

2001

Judy, Donald Young Gallery, Chicago, IL

Christopher Grimes Gallery, Santa Monica, CA.

 

2000

Feigen Contemporary, New York, NY

Tony Tasset: As It Is, The Contemporary Art Center, Cincinnati, OH

 

1998

Tony Tasset, Institite of Visual Arts, Milwaukee, WI

Christopher Grimes Gallery, Santa Monica, CA

 

1997

Feigen Contemporary, New York, NY

Christopher Grimes Gallery, Santa Monica, CA

 

1996

Manfred Baumgartner Gallery, Washington,D.C.

Christopher Grimes Gallery, Santa Monica, CA

 

1995

Robert Smithson/Tony Tasset: Site/Nonsite, Museum of Contemporary Art, Chicago, IL (catalogue)

 

1994

Feature, New York, NY

 

1993

Rhona Hoffman Gallery, Chicago, IL

 

1992

Feature, New York, IL

Christopher Grimes Gallery, Santa Monica, CA

Galeria Pedro Oliveira, Porto, Portugal (catalogue)

Shedhalle, Zurich, Switzerland (catalogue)

 

1991

Feature, New York, NY

Rhona Hoffman Gallery, Chicago, IL

 

1990

Feature, New York, NY

 

1989

Rhona Hoffman Gallery, Chicago, IL

 

1988

Feature, Chicago, IL

Susanne Hilberry Gallery, Birmingham, MI

Daniel Weinberg Gallery, Los Angeles, CA

Feature, Chicago, IL

 

1987

Karsten Schubert Ltd., London, England (catalogue)

 

1986

Domesticates, Feature, Chicago, IL (catalogue)

Christine Burgin Gallery, New York, NY

 

GROUP EXHIBITIONS

2014

The Whitney Biennial, Artists Monument

Look at Me: Portraiture from Manet to the Present, curated by Beth Rudin DeWoody

and Paul Morris, Leila Heller Gallery 57th Street, New York, NY

Michael Sailstorfer: Every Piece is a New Problem and Shall I Tell You the Secret of the

Whole World?, Cincinnati Arts Center

 

2013

Pop Culture: Selections from the Frederick R. Weisman Art Foundation, curated by

Billie Milam Weisman, Boca Museum of Art, Boca Raton, FL

The Way of the Shovel: Art as Archaeology, Musuem of Contemporary Art Chicago, IL

The 7 Borders, Kentucky Museum of Art and Craft, Louisville, KY

MCA DNA: Chicago Conceptual Abstraction, 1986-1995, Museum of Contemporary

Art, Chicago, IL

Think FIrst, Shoot Later: Photographs from the MCA Collection, Museum of

Contemporary Art, Chicago, IL

This Will Have Been: Art, Love & Politics in the 1980’s, curated by Helen Molesworth,

ICA, Boston, MA

 

2012

This Will Have Been: Art, Love & Politics in the 1980ʼs, curated by Helen Molesworth,

Walker Art Center,

Minneapolis, MN

This Will Have Been: Art, Love & Politics in the 1980ʼs, curated by Helen Molesworth,

MCA, Chicago

(catalogue)

Drama, Baby, Drama, Kunsthaus Essen, curated by Uwe Schramm, Essen, Germany

 

2011

Farbe im Fluss, Weserberg Museum fur Modern Kunst, Breman, Germany

20th Century Fox, curated by Peter Dorshenko, Collection Vanmoerkerke, Oostende,

Belgium

Broodwork: Itʼs About Time, Otis Collage of Art and Design, Los Angeles, CA

The Smithson Effect, Utah Museum of Fine Art, Salt Lake City, Utah

 

2010

Unnatural Rubber, Warhol Museum, Pittsburgh, PA

Rewind: The 70’s-90’s, Museum of Contemporary Art, Chicago, Chicago, IL

Contemporary Collecting: Selections from the Donna and Howard Stone Collection, Art

Institute of Chicago, Chicago, IL

100 Years a Draft of History, curated by Klaus Biesenbach and Rosalee Goldberg for

PS 1 Moma, NY and the Stoschek Foundation, Dusseldorf, Germany and The Garage

Center for Contemporary Culture, Russia.

 

2009

Practice, Practice, Practice, curated by Michael Smith and Jay Sanders, Lora Reynolds

Gallery, Austin, TX

From a Position, Evanston Art Center, curated by Maxwell C. Graham, Evanston, IL

Walls, Floors and Ceilings, Carl Solway Gallery, Cincinnati, OH

 

2008

Recent Acquisitions: Focus on Chicago, Museum of Contemporary Art, Chicago, IL

Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary

Art, North Miami, FL; traveling to Musée d’art Contemporain de Montréal, Québec

25 artists x 2 screenings = 1 week, Blum & Poe, Los Angeles, CA

 

2007

Sympathy for the Devil: Art and Rock and Roll from 1967, Museum of Contemporary

Art, Chicago

Into Me/ Out of Me, MACRO, Rome

 

2006

Into Me/Out of Me, Kunst-Werke (KW) Institute for Contemporary Art in Berlin,

curator Klaus Biesenbach

Figures in the Field: Figurative Sculpture and Abstract Painting from Chicago

Collections, Museum of Contemporary Art, Chicago, IL

 

2005-06

Situation Comedy: Humor in Recent Art, Independent Curators International, New

York, NY; The Contemporary Museum, Honolulu, Hawaii: The Chicago Cultural

Center, Chicago, IL: Winiipeg Art Gallery, Winnipeg, Manitoba, Canada; Museum of

Art, Fort Lauderdale, FL

25 Years: Selected Solo Exhibitions, Baumgartner, Gallery, New York, NY

 

2004

The Center is Anywhere, Museum of Contemporary Art, Chicago, IL

25th Anniversary: The LA Years Part I, Christopher Grimes Gallery, Los Angeles, CA

…lautloses irren, ways of worldmaking, too…, Postbahnhof am Ostbahnhof, Berlin

Contemporary Art Museum, St. Louis, MO

 

2003

M_ARS. Art and War, Neue Galerie am Landesmuseum Joanneum, Graz, Austria

Life, Death, Love, Hate, Pleasure, Pain, Museum of Contemporary Art, Chicago, IL

Chicago Artists in the New Millenium, Union League of Chicago, Chicago, IL

 

2002

Masquerade, John Michael Kohler Arts Center, Sheboygan, WI

Kunst Nach Kunst, Neuen Museum Weserberg, Bremen, Germany

Basics, Kunsthalle Bern, Bern, Switzerland (catalogue)

Looking at America, Yale Univeristy Art Gallery, New Haven, CT

Individuality, Saks Fifth Avenue, New York, NY

Sculpture in Chicago Now, Part 11, Glass Curtain Gallery, Chicago, IL

Family, The Aldrich Museum of Contemporary Art, Ridgefield, CT

 

2001

Joy, Ursala Blickle Stifung, Kraichtal, Germany

New Works, Feigen Contemporary, New York, NY

At Home, Lennon Weinberg Inc., New York, NY

Pictures, Patents, Monkeys, and More…On Collecting, Western Gallery, Western

Center, Sheboygan, WI: Akron Art Museum, Akron, OH; Fuller Museum of Art,

Brockton, MA; Institute of Contemporary Art, University of Pennsylvania,

Philadelphia, PA; Pittsburgh Center for the Arts, Pittsburgh, PA

 

2000

Life After Squirrel, Location One, New York, NY

Warning Shots, The Royal Amouries, Leeds, England

The Body in Photographs: A Recent Gift from Eileen and Peter Norton, Bard College

Center for Curatorial Studies, Annandale-on-Hudson, NY

 

1999-98

Mayday, Centre d’Art Neues Museum Weserburg Bremen, Germany; Staaliche,

Kunshalle Baden-Baden, Germany; Centro Galego de Arte Contemporanea, Santiago

di Compostela, Spain; National Museum of Art, Seoul, Korea

Ingelnook II, University, Galleris, Normal, IL

Sweat, Camerawork, London, England

All of Me, New Langston Arts, San Francisco, CA

 

1997

ca-ca poo-poo, Kolnischer Kunstverin, Cologne, Germany

Shot Reverse-Shot, Walter Phillips Gallery, Banff, Alberta, Canada

 

1996

The Moral Imagination, Plug-In Gallery, Winnipeg, Canada

Art In Chicago: 1945-1995, The Museum of Contemporary Art, Chicago, IL

(catalogue)

Persona, The Renaissance Society at the University of Chicago, Chicago, IL;

Kunsthalle Basel, Basel Switzerland.

Shit, Baron/Boisante’ Gallery, New York, NY

Subvert Object, Ubu Gallery, New York, NY

AbFab, Feature, New York, NY

 

1995

It’s How You Play The Game, Exit Art, New York; curated by Thelma Golden, Nancy

Spector, Robert Storr, Jeanette Ingberman and Papo Colo

Strung Into the Appolonian Dream…an exhibition of a private collection, Feature, New

York, NY

Seven Llongish Wodden Sculptures, Feature, New York, NY

Art As Dramatic Comedy, Randolph Street Gallery, Chicago, IL

 

1994

The Ecstasy of Limits, Gallery 400, School of Art and Design, UIC, Chicago, IL

Amenities, Frederick Layton Gallery, Milwaukee Institute of Art and Design,

Milwaukee, WI

 

1993

Mixed Messages: A Survey of Recent Chicago Art, Forum for Contempoary Art, St.

Louis, MO

A Sequence of Forms: Sculpture by Illinois Artists, Chicago Cultural Center, Chicago, IL

New Works, Feigen Inc. Chicago, IL

Mettlesome & Meddlesome: Selections from the Collection of Robert J. Shiffler,

Contemporary Arts Center, Cincinnati, OH; Urbana-Champaign, IL; I Space,

University of Urbana-Champaign Gallery, Chicago, IL

15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago, IL

 

1992

Editions Functional Objects by Artists and Architects, Rhona Hoffman Gallery,

Chicago, IL

Drawing New Conclusions, Betty Rymer Gallery, The School of the Art Institute of

Chicago, Chicago, IL

Multiples, Randolph Street Gallery, Chicago, IL

 

1991

Office Party, (March) Feature, New York, NY

Galerie Anselmo Alvarez, Madrid, Spain

Power: Its Icons, Myths and Structure in American Culture 1961-1991, Museum of

Fine Art, Richmond VA: curated by Holliday T. Day (catalogue)

Stillstand Switches, Shedhalle, Zurich, Switzerland

 

1990

Toward the Future Contemporary Art in Context, Museum of Contemporary Art,

Chicago, IL (brochure)

Machine Shop, The Machine Shop at Emery, Cincinnati, OH; curated by Derrick

Woodham

Awards in the Visual Arts, New Orleans Museum of Art, New Orleans, LA;

Southeastern Center for Contemporary Art, Winston-Salem, NC; Arthur M. Sackler

Museum, Harvard University, Cambridge, MA; The BMW Gallery, New York, NY

(catalogue)

The Thing Itself, Feature, New York, NY (brochure)

Work on Paper, Paula Allen Gallery, New York, NY

Outdoor Sculpture Show: Chicago Artists from Chicago Galleries, Klein Art Works,

Chicago, IL

New Generations Chicago, Carnegie Mellon Art Gallery, Carnegie Mellon University,

Pittsburgh, PA; curated by Elaine A. King (catalogue)

Oh, Those Four Walls: The Gallery as Context, Atlanta College of Art Gallery, Atlanta,

GO; curated by Lisa Tuttle (catalogue)

Half-Truths, The Parrish Art Museum, Southampton, NY; curated by Marge

Goldwater (catalogue)

 

1989

Filling in the Gap, Feigen, Inc.,Chicago, IL; curated by Saul Ostrow (catalogue)

FUNCTIONFUNCTION, Suzan Rezac Gallery, Chicago, IL (catalogue)

On Kawara: Date Paintings 1966-1988, The Renaissance Society at the University of

Chicago, Chicago, IL

Signs of Life: Contemporary American Sculpture, Fundacao Calouste Gulbenkian;

Fundacao Luso-Americana Para O Desenvolvimento, Lisbon, Portugal; curated by

Judith Russi Kirshner (catalogue)

Romancing the Stone, Feature, New York, NY

Double Take, Contemporary Arts Center, Cincinnati, OH; curated by Hudson

Reused, Althea Viafore Gallery, New York, NY

Susanne Hilberry Gallery, Birmingham, MI

Exhibition 12, Studio Arts Faulty, UIC School of Art and Design, Gallery 400, Chicago,

IL (catalogue)

Dorothy, Center for Contemporary Art, Chicago, IL; curated by Hudson

 

1988

Walk Out to Winter, Bess Cutler Gallery, New York, NY; curated by Christian Leigh

(catalogue)

Redefining the Object, University Art Galleries, Wright State University, Dayton, OH;

Cleveland Center for Contemporary Art, Cleveland OH; curated by Barry A.

Rosenberg (catalogue)

Material Art, Althea Viafore Gallery, New York, NY

Artschwager: His Peers and his Persuasion, 1963-1988, Daniel Weinberg Gallery, Los

Angeles, CA; Leo Castelli Gallery New York, NY (catalogue)

Near Miss, Feature, Chicago, IL

The Objects of Sculpture, The Arts Club of Chicago, Chicago, IL; curated by Neal

Benezra (catalogue)

Chicago Buy the Square Foot, Randolph Street Gallery, Chicago, IL

Life Like, Lorance Monk Gallery, New York, NY; curated by Marvin Heiferman

Homecoming, Art Academy of Cincinnati, Cincinnati, OH

NYC #1/Sculpture, Rotterdam Arts Council, Rotterdam, The Netherlands; curated by

Thord Thordeman; touring Sweden and Finland (catalogue)

Formal, Dart Gallery, Chicago, IL (catalogue)

Lattitudes Focus on Chicago, The Aspen Art Museum, Aspen, CO (catalogue)

Contemporary Icons and Explorations: The Goldstrom Family Collection, Davenport

Museum of Art, Davenport, IA (catalogue)

Liars: A Question of Reason, State of Illinois Gallery, Chicago, IL; curated by Debra

Donato.

Nature, Feature, Chicago, IL

A White Show, MoMing Gallery, Chicago, IL; curated by Jeanne Dunning

A Different Color: Definition and Redefinition, Painting in America, Biennial

International de Pintura, U.S. Pavillion, Museo de Arte Moderne, Cuenca, Ecuador:

curated by Christian Leigh (catalogue)

 

1986

July, Wolff Gallery, New York, NY

The Non-Spiritual in Art Abstract Painting 1985-????, Chicago, IL; curated by Hudson

(catalogue)

Larry Johnson, Tony Tasset, Christopher Wool, Kuhlenschmidt-Simon, Los Angeles, CA

One Hand Clapping, Karsten Schubert Ltd., London, England

Gilbert and George, Donald Judd, Tony Tasset, Christine Burgin Gallery, New York NY

Of Ever-Ever Land I speak, Stux Gallery, New York, NY; curated by Chrostian Leigh

Surfaces: Two Decades of Painting in Chicago, 1970s and 1980s, The Terra Museum of

Art, Chicago, IL; curated by Judith Russi Kirschner (catalogue)

Anxious Objects, University Galleries, Illinois State University, Normal, IL; curated by

Barry Blinderman

A Spectacle of Reflexivity, UWM Art Museum, University of Wisconsin, Milwaukee,

WI; curated by Michelle Grabner (catalogue)

Industrial Icons, San Diego State University, San Diego, CA

Homer, Huttinger, Tasset, Feature, Chicago, IL

SAIC: A New Generation, Museum of Contemporary Art, Chicago, IL; curated by

Lynne Warren (catalogue)

Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, IN

(catalogue)

Promises, Promises, Feature, Chicago, IL; CAGE, Cincinnati, OH: curated by Hudson

Dull Edge, Randolph Street Gallery, Chicago, IL; curated by Jeanne Dunning and Tony

Tasset (catalogue)

 

1985

Post Modern Conceptual Pop Production, Feature, Chicago, IL

Two-person exhibition (with Mitchel Kane), School of the Art Institute of Chicago

Gallery, Chicago, IL

Wilder Scholarship Retrospective, Chidlaw Gallery, Cincinnati, OH

The Perfect Couple, CAGE, Cincinnati, OH

Invitational, Feature and Rhona Hoffman Gallery, Chicago, IL

 

1984

Two-person exhibition (with Greg Green), Bookspace, Chicago, IL

Sexuality in Art and the Media, School of the Art Institute of Chicago, Chicago, IL

 

1983

Artists Call, Rhona Hoffman Gallery, Chicago, IL

 

AWARDS AND GRANTS

2006

The John Simon Guggenheim Foundation Award

1989

Artists Fellowship, Illinois Arts Council

The Louis Comfort Tiffany Foundation, Awards in Painting, Sculpure, Printmaking

and Craft Media

Awards in the Visual Arts 9, Southeastern Center for Contemporary Art, WinstonSalem,

NC

1986

John Quincy Adams Traveling Fellowship, The School of the Art Institute of Chicago

1984

Wilder Traveling Fellowhip, The Art Academy of Cincinnati

 

COLLECTIONS

Smart Museum of Art, University of Chicago, IL

Laumeier Sculpture Park, St Louis

Carnegie Museum of Art, Pittsburgh

The Baltimore Museum, Baltimore, MD

The Art Institute of Chicago, Chicago, IL

The Museum of Contemporary Art, Chicago, IL

Museum of Contemporary Art, Los Angeles, CA

The San Francisco Museum of Art, San Francisco, CA

Goldblatt’s Building, City of Chicago, Chicago, IL

Nathan J. Manilow Sculpture Park, University Park, IL

David L. Lawrence Convention Center, Pittsburgh, PA

Museum Fur Moderne Kunst, Frankfurt, Germany

Milwaukee Art Museum, Milwaukee, WI

 

RECENT BIBLIOGRAPHY

MacMillan, Kyle. “Tony Tasset.” Art in America, September 24, 2014

Foumberg, Jason. “Art 50 2014: Chicago’s Artists’ Artists.” NewCity, September 18,

2014

Cook, Greg. “Learn from How Chicago Does Culture.” Blouin Artinfo, July 29, 2014

“Artist’s Multiple: Tony Tasset on Vagueness, Pants and Having A Good Cry.” Paddle

8, July 10, 2014

Farago, Jason. “Whitney Biennial 2014.” Frieze, June - July - August 2014 Issue

Seda-Reeder, Mara. “CAC Exhibit Pushes Back Against Museum’s Architecture.”

CityBeat Cincinnati, June 25, 2014

Neil, Jonathan T.D. “New York Juggernaut.” Art Review, May 2014 Issue

Morris, Matt. “Review: Tony Tasset/Kavi Gupta.” NewCity, June 04, 2014

Cristello, Stephanie. “Phantom Sense: Tony Tasset’s Spill Paintings.” ArtSlant, May

30, 2014

MacMillan, Kyle. “The Arts Calendar - May19-24, 2014.” Chicago Sun-Times, May 19,

2014

Garner, Kitty. “A Trifurcated 2014 WHITNEY BIENNIAL Bids Farewell to its Madison

Avenue Home.” Peachy, May 16, 2014

“Tony Tasset Opens Up the Artist List.” Whitney Stories Blog, Whitney Museum of

America Art, May 07, 2014

Thomson, Allese. “The Eyes Have It.” Artforum, April 23, 2014

Baird, Daniel G. “Monumental Moments: Tony Tasset.” Bad At Sports, April 22, 2014

Shiffman, Allyson. “Dallas Rising.” Wmagazine, April 15, 2014

Oates, Diane. “Art scenesters make Eye contact at Joule hotel Dallas Art Fair

throwdown.” Culturemap Dallas, April 14, 2014

Boatright, Kristen. “Dallas Fêtes Sixth Art Fair with “Eye Ball”.” Blouin ArtInfo, April

14, 2014

“The Joule Dallas Hosts THE EYE BALL At Dallas Art Fair.” alwaysFashion Week,

April 14, 2014

“Dallas Art Fair Offers an Eyeful at The Joule.” Eat Style Dallas, April 13, 2014

Smith, RJ. “One Sculptor’s Inclusive Tribute to Artists.” Cincinnati Magazine, April 09,

2014

“The Approval Matrix: April 07, 2014.” New York Magazine, April 06, 2014

“To Do: March 26–April 9, 2014 (Excerpt)” New York Magazine, March 24, 2014

Azzarello, Nina. “Tony Tasset carves 392,486 artists’ names onto multicolored

monument.” Designboom, March 23, 2014

Pepi, Michael. “Whitney Biennial.” Apollo, March 19, 2014

Vivernos-Faune, Christian. “Why This Year’s Whitney Biennial Should Be Seen

Through a (Slightly) Rose-Colored Lens.” The Village Voice, March 18, 2014

Fairley, Gina. “World Art Wrap: Ai Wei Wei, Steve McQueen, poaching and syphilis

(excerpt).” Arts Hub, March 10, 2014

Kazakina, Katya. “Billionaires Join Celebrities at Armory Show as Art Surges.”

Bloomberg Businessweek, March 07, 2014

Borrelli, Christopher. “Meet artist Michelle Grabner, Whitney Biennial 2014

curator.” Chicago Tribune, March 07, 2014

Russeth, Andrew. “The 2014 Whitney Biennial Disappoints, With Misfires,

Omissions, Only Glimmers of Greatness.” Gallerist NY, March 06, 2014

Samuels Gibbs, Adreinne. “The 77th Whitney Biennial: There’s always a Chicago

connection…” Chicago Sun Times, March 05, 2014

Sutton, Benjamin. “Tony Tasset’s 2014 Whitney Biennial Piece Is a Monument with

392,485 Artists’ Names.” Artnet, March 04, 2014

Fincham, Derek. “The Way of the Shovel’ at the MCA Chicago.” Illicit Cultural

Property, March 03, 2014

Reynolds, Patrick. “Representations of the Midwest at the 2014 Whitney Biennial”

Fnews, February 28, 2014

Vogel, Carol. “State of Our Art, According to Whitney.” The New York Times,

February 27, 2014

Mitchell, Holly. “Tony Tasset’s Hot Dog Man.” Gblog, February 08, 2014

Xie, Jenny. “Museum of Contemporary Art Scratch-Off Ads Give Commuters

Something to Do at the Bus Stop.” The Atlantic Cities, February 04, 2014

Schiffman, Lizzie. “Museum of Contemporary Art Scratch-Off Ads Encourage Bus

Shelter Graffiti.” DNA Info, February 04, 2014

Choy Black, Heiji. “See Conceptual Artist Tony Tasset’s Eight Favorite Things.”

Chicago Mag, January 14, 2014

Kinsella, Eileen. “At This Year’s Miami Art Fairs, a Boost in Buyer Turnout.” Blouin

ArtInfo, December 11, 2013

Tucker, Daniel. ““The Way of the Shovel: Art as Archaeology” at the Museum of

Contemporary Art, Chicago.” Mousse, December 06, 2013

Brownlee, John. “There Is A 30-Foot-Tall Eyeball In Downtown Dallas” Fast

Company, December 2, 2013

Morrisey, Siobahn. “Art Public sculptures will remain after Art Basel 2013 is gone”

Miami Herald, November 29, 2013

Roalf, Peggy. “Tony Tasset’s Eye.” DART: Design Arts Daily, November 21, 2013

Eisinger, Dale. “Tony Tasset Drops a 30-Foot Eyeball in Downtown Dallas” Complex,

November 21, 2013

“Tony Tasset’s Latest Sculpture is a 30-Foot Eye for The Joule Hotel in Dallas”

Hypebeast, November 20, 2013

Foumberg, Jason. “Eye Exam: How Artists Dig.” NewCity Art, November 19, 2013

Vogel, Carol. “The 2014 Whitney Biennial is Shaping Up.” The New York Times,

November 15, 2013

Sandler, Jillian. ““Realistic Fantasy,” “Will You Step Into My Parlour?,” and the rest of

your weekend in visual arts” The Bleader, November 14, 2013

Simek, Peter. “Why Tony Tasset Insists His Giant Downtown Eye is Meaningless.” D

Magazine, November 08, 2013

Ise, Claudine. “Midwestern Appropriation review at Hyde Park Arts Center is

appropriating what, specifically?” Chicago Tribune, November 07, 2013

Small, Rachel. “Tony Tasset’s Three Story Eyeball.” Interview Magazine, November

04, 2013

Cooper, Ashton. “25 Questions for Spooky Sculptor Tony Tasset.” Blouin ArtInfo,

October 31, 2013

Indrisek, Scott. “Tony Tasset Schools His Pupils.” BlackBook Magazine, October 31,

2013

“Fifth Snap Gala Brings Art Institute’s Permanent Collection into Focus,” Broadway

World, October 02, 2013

Morgan, Kendall, “Joule Dallas Hotel gets artsy with ocular installation guaranteed to

stop traffic,” Culturemap Dallas, August 22, 2013

Weeks, Jerome, “Yes, Downtown Dallas, YOU ARE being stared at,” Art+Seek, August

20, 2013

Robinson-Jacobs, Karen, “New Sculpture Garden Teams Joule, Nasher,” The Dallas

Morning News, August 20, 2013

Laughlin, Jamie, “This Giant Eyeball Sculpture arrives in Dallas today, and boy is it

freaky lookin,” Dallas Observer, August 19, 2013

Newton, Paula, “Stop Looking at Me! Downtown Dallas Acquires Giant Eyeball

Sculpture,” Glasstire, August 19, 2013

“Joule Eyeball Sculpture Installed,” NBC 5 Dallas Fort-Worth, August 19, 2013

Ricciardi, Tiney, “Giant Eyeball sculpture installed on Main Street in Dallas,” Pegasus

News, August 19, 2013

“The Joule Hotel and Shops Aquires Monumental Sculpture for Public Display,

Announces Programming Partnership With Nasher Sculpture Center” Visit Dallas,

August 19, 2013

Douglas, Sarah, Duray, Dan, Lescaze, Zoe, “They Came, They Showed, They Sold:

Dealers Tell Us About Some Artworks They Parted With at the Armory VIP Preview,”

Gallerist NY, March 07, 2013

Sutton, Benjamin, “Everyone Loves Tony Tasset’s Dirty Snowman Sculpture at Kavi

Gupta’s Armory Show Booth,” Art Info, March 06, 2013

Khouri, Andrew, “Culver City’s 94 Foot-Tall Rainbow Pays Homage to Wizrd of Oz,”

Los Angeles Times, October 1, 2012

Kelly Hartog, “Sony Pictures Unveils Culver City Rainbow Installation,” Culver City

Patch, October 1, 2012

Fishman, Elly and Sullivan, Emmett, “The Best Buys at Expo Chicago,” Chicago

Magazine, September 27, 2012

Wurtz, B., “Best of 2011: Tony Tasset at Leo Koenig, Inc. Projekte,” ArtForum,

December, 2011

Arning, Bill, review, Time Out New York, November 20-27, 1997, issue 113, p.48

“A Rainbow is Coming to Culver City,” Culver City Times, May 18, 2011

G., Jenny, “Tony Tasset’s Eye for Chicago,” Chicago Art Institute Blog, March 17, 2010

Waxman, Lori, “A Year of Reorganization, Exploration,” Chicago Tribune, December

16, 2011

Kasper, Chris, “Leo Koenig @ Leo Koenig Inc. Projekte,” White Hot, June, 2011

Grabner, Michelle, “Tony Tasset: Kavi Gupta Gallery,” ArtForum, October 2011

Ritchie, Abraham, “The Slant on Tony Tasset,” ArtsanT, August 11, 2010

Viera, Lauren, “The Odysey of an Eye,” Chicago Tribune, July 6, 2010

Viera, Lauren, “Artists Gear up for the Armory,” Chicago Tribune, March 4, 2010

SELECTED BIBLIOGRAPHY

Arning, Bill, review, Time Out New York, November 20-27, 1997, issue 113, p.48

Artner, Alan G., "Persona non grata," Chicago Tribune, March 17, 1996

Artner, Alan, "Sharp Conceptual Show Dares to be Different," The Chicago Tribune,

January 22,

1993, Section 7, p. 56

Artner, Alan, "Art in 3-D: Artists today do almost anything -- except sculpt," The

Chicago Tribune,

February 7, 1993, Arts, pp. 14-15

Artner, Alan, "Tasset's Works Activate Viewer's Participation," Chicago Tribune,

January 13, 1989

Artner, Alan, "Tasset's Art Focuses on Presentation," Chicago Tribune, April 15,

1988, section 7, p.58

Artner, Alan, "Tony Tasset at Home with Clever Concept," Chicago Tribune,

September 19, 1986, Section 7, p.55

Barewaldt, Wayne, The Plug in Harold, Winnipeg, Ontario, October, 1996

Barnes, Lucinda, catalogue essay, “Robert Smithson/Tony Tasset: Site/Nonsite”,

Museum of Contemporary Art, Chicago, IL, 1995

Blinderman, Barry, catalogue essay, “Anxious Objects” University Galleries, Illinois

State

University, Normal, IL, 1986

Bonesteel, Michael, "Medium Cool New Chicago Abstraction," Art in America,

December 1987,

pp. 138-147

Brown, Nate, “Art Appreciation,” Daily Vidette, January 17, 2003, p. 11

Bulka, Michael, “Tony Tasset,” New Art Examiner, March 1991, pp. 34-35

Campbell, Clayton, “The Visionary Landscape (review),” Flash Art, March/April

2000, p. 62

Cash, Stephanie, “Tony Tasset at Feigen Contemporary (review),” Art in America,

March 1998, p. 101

Coburn, Marcia Froelk, "Minimalism to the Max," Chicago Magazine, October 13,

1993, pp.94-99, 152

Colby, Joy Hakanson, "Lean Exhibit, Lots of Thought," The

Detroit News, March 13, 1988, p. 3D

Cooke, Lynne, catalogue essay, Karsten Schubert, Ltd., London, England, 1987

Curtis, Cathy, Los Angeles Times, July 22, 1988

Day, Holliday T, catalogue essay, “Painting and Sculpture Today”, Indianapolis

Museum of Art, Indianapolis, IN, 1986

Decter, Joshua, "New York in Review," Arts, summer 1990, p. 96

Duffy, Robert W., "Getting the Message: Knowledge Distilled," St. Louis Post

Dispatch, September 19, 1993, Section 3, p. 11 (excerpt)

Dunning, Jeanne, catalogue essay, “Dull Edge”, Randolph Street Gallery, Chicago, IL,

1986

Findsen, Owen, “’Banal’ Burbs Turn Into Authentic Art,” The Cincinnati Enquirer,

April 2000

Frankel, David, “Tony Tasset, Feigen Contemporary”, ArtForum, February 2001, pp.

150-151

Gardner, Colin, review, Los Angeles Times, August 7, 1987, Part IV, p.16

Golden, Deven, review of "A White Show," New Art Examiner, March, 1987

Goldwater, Marge, catalogue essay, “Half-Truths,” The Parrish Art Museum,

Southampton, NY, 1990

Grabner, Michelle, “Hello Mr. Soul”, Frieze, summer 1999, #47, p. 100

Grabner, Michelle, review, New Art Examiner, October, 1997, p. 50

Grabner, Michelle, catalogue essay, “A Spectacle of Reflexivity,” UWM Art Museum,

University of Wisconsin, Milwaukee, WI, 1986

Green, Ann Hunter, "Making the Art Rounds," Where/Chicago, September 1993, p.

26-27

Hapgood, Susan, “’Shit’ at Baron/Boisanté,” Art in America, March, 1997, pp. 109-

110

Hawkins, Margaret, “It’s a Girl Thing”, Chicago Sun-Times, February 9, 2001, p. 46

Heartney, Eleanor, "Strong Debuts," Contemporanea, July/August 1988, p. 110

Henry, Gerrit, “Tony Tasset at Christine Burgin (review),” Art in America, June 1987

Hixson, Kathryn, catalogue essay, “Tony Tasset ‘As It Is’”, Feigen Contemporary, New

York, 2000

Hixson, Kathryn, “Transcendence to Transformation: The Art of Tony Tasset”, New

Art Examiner, May 2000, pp. 34-38

Hixson, Kathryn, review, Flash Art, March/April, 1996, p. 114

Hixson, Kathryn, The Journal of Art, February 1991, p. 68

Hixson, Kathryn, “Chicago in Review,” Arts, April 1991, p. 106

Hixson, Kathryn, "Cool, Conceptual, Controversial," New Art Examiner, May, 1988,

pp. 30-33

Hudson, Kevin Maginnis and Richard Brettell, catalogue essays “The Non-Spiritual in

Art Abstract Painting”, Chicago, IL, 1986

Hugunin, James R, review, New Art Examiner, March 1989, p. 44

Holg, Garrett, "Sculptors Make Statements with Everyday Objects," Chicago Sun

Times, March 7, 1993, p. 13

Johnson, Ken, “Tony Tasset (review),” New York Times, October 31, 1997

J.Z., “Tony Tasset at Christopher Grimes,” d’Art International, vol. 2, number 1,

winter 1999

Kandel, Susan, “Like Young,” Los Angeles Times, May 29, 1997, p. 18

Kertess, Klaus, catalogue essay, “Artschwager: His Peers and His Persuasion, 1963-

1988”, Daniel Weinberg Gallery, Los Angeles, CA and Leo Castelli Gallery, New York,

NY

King, Elaine A, catalogue essay, “New Generations: Chicago,” University of

Pittsburgh, Pittsburgh, PA, 1990

Kirshner, Judith Russi, "The Benefit of the Doubt or Loving Modernism to Death,"

Artforum, November 1988, pp. 106-111

Kittelman, Udo. Jackson Pollock und die Malerei nach der Organisation der Malerei.

Karlsruhe, Germany:

Englehardt & Bauer, 2004: p. 36

Knight, Christopher, review, Los Angeles Herald, July 31, 1987

Knode, Marilu, “Tony Tasset”, Art/Text 61, 1998, p. 48

Kutner, Janet, “Hybrid Film Mixes Facts, Fantasies,” The Dallas Morning News, March

8, 1998

Lambrecht, Luk (translated by Lynne George), “Olafur Gislason, Tony Tasset, Dieter

Wymann (review)”

(Shedhalle), Forum International, May 1992, pp. 86-87

Lebovici, Elisabeth, Liberation, Guide, October, 1996, p. 34

Leigh, Christian, catalogue essay, “Dorothy,” Center for Contemporary Art, Chicago,

IL, 1988

Leigh, Christian, “Summer Show (review)," Artscribe International,

November/December, 1987

Leigh, Christian, catalogue essay, “A Different Corner: Definition and Redefiniton,

Painting in America”, traveling exhibition, 1987

Leigh, Christian, “of Ever-Ever Land I speak”, catalogue essay, Stux Gallery, New

York, NY, 1986

Leuking, Stephen, review “New Works, Sequence of Forms”, Sculpture, July-August

1993, pp. 57-58

Lippard, Lucy, catalogue essay, “Awards in the Visual Arts 9”, The BMW Gallery, New

York, NY, 1990

Mauro, Lucia, "Local artists hop on the cutting edge," Pioneer Press, February 1,

1995, B4-B5

McCormick, Carlo, catalogue essay, “New York Now,” Goteborgs Kunstmuseum,”

toured Sweden and Finland, 1988

McCracken, David, "Tasset Offers a Backstage Look at Slippery Sculptures," Chicago

Tribune, January 11, 1991, Section 7, p. 8

McCracken, David, "Different Views of a Postmodernist World," Chicago Tribune,

January 11, 1988, section 7 p. 60

Miles, Christopher, "Sharon Ellis and Tony Tasset," Artforum.com, 2002 on website

Miro, Marsha, "Frames Tame Wild Things," Detroit Free Press, March 24, 1988, p. 5C

Moody, Tom, review, Art Papers, November/December, 1996, p. 56

Morgan, Robert, "New York in Review," Arts, February 1989, p. 98

Nagy, Peter, “Shit (review),” Time Out, Oct. 31-Nov. 7, 1996, Issue # 58, p. 48

New Yorker Magazine, April 29, 1991, p. 17

Noll, Damien, “Pixels and Particles, Pigment and Stone”, Chicago Journal, February

2001, p. 9

Ostrow, Saul, catalogue essay, “Filling in the Gap”, Feigen, Inc, Chicago, IL, 1989

Paine, Janice T., "Amenities: A strangely discomforting exhibit," Milwaukee Sentinel,

October 14, 1994, 8E

Pinto De Almeida, Bernardo, “Tony Tasset (catalogue essay), from exhibition at

Galeria Pedro Oliveira, Portugal, 1992

Robinson, Walter, “Weekend Update,” artnet.com>reviews, October 25, 2000

Robinson, Walter, "State of the Art: Young, Gifted and Affordable," Metropolitan

Home, November 1987, pp. 58-59

Rosenberg, Barry A, catalogue essay, “Redefining the Object”, University Art

Galleries, Wright State University, Dayton OH and Cleveland Center for

Contemporary Art, Cleveland, OH, 1988

Runólfsson, Halldór Björn, catalogue essay, “Stillstand Switches”, Shedhalle, Zurich,

Switzerland, 1992

Russi-Kirchner, Judith, catalogue essay, “Art in Chicago: 1945-1995,” MCA Chicago,

IL

Russi-Kirchner, Judith, catalogue essay, “On Kawara: Date Paintings 1966-1988”,

traveling exhibition

Russi-Kirchner, Judith, catalogue essay, “Surfaces: Two Decades of Painting in

Chicago,” The Terra Museum, Chicago, Il, 1986

Scanlan, Joe, “Money-Market,” dialogue, January 1987, p. 26

Schaffner, Ingrid and Therese Cafaro, catalogue essays, “Shit”, Baron Boisante

Gallery, New York, NY

Schjeldahl, Peter, "At the Salon of April," Village Voice, May 14, 1991, p.86

Schultz, Jerome, “Postmodernism, A Spectacle of Reflexivity (review),” The New Art

Examiner, June 1987, p.55

Sherlock, Maureen P, "Tony Tasset," Arts, summer 1989, p. 82

Snodgrass, Susan, “Tony Tasset at Rhona Hoffman (review),” Art in America,

January, 1994, pp.110-111

Sobel, Dean, “Identity and Recent Self-Portraiture”, 1997, catalogue essay,

Milwaukee Art Museum, WI

Stevens, Mitchell, "Forms to Warm the Heart," The Reader, February 19, 1993, p. 29

“Sunday Style,” The New York Times, February 25, 2001.

Tasset, Tony, catalogue essay, “Domesticates,” Feature, Chicago, IL, 1986

Tasset, Tony, "The Beast is Now Under Control," Nit & Wit, October 1986, p. 15

Taylor, Sue, review of "Liars," Art in America, September 1987, pp. 187, 18

Vissault, Maïté, “Recrudescence,” ETCMontréal, Sept., Oct., Nov., 2004, pp. 22-27

Waddington, Christopher, “Contemporary Icons and Explorations: The Goldstrom

Family Collection”, Davenport Museum of Art, Davenport, IA, 1988

Wainwright, Martin, “Warning Shots: Royal Armouries Exhibits Art of Violence,” The

Guardian May 13, 2000

Walker, Hamza, “Eureka! I’ve Lost It,” catalogue essay, Persona, 1996

Walker, Hamza and Susan Stryker, catalogue essays, “Kunsthalle Basel,” Basel,

Switzerland

Warren, Lynne, catalogue essay, “S.A.I.C.: A New Generation”, Museum of

Contemporary Art, Chicago, IL, 1986

Wehr, Anne, “Tony Tasset”, Time Out New York, November 23 – 30, 2000

Wilk, Deborah, “Robert Smithson, Tony Tasset (review),” The New Art Examiner,

January, 1996

Wilk, Deborah, “The Ecstasy of Limits (review),” New Art Examiner, February, 1995,

p. 38

Yood, James, catalogue essay, The Refco Collection, Sue Taylor, editor, The Refco

Group, Ltd, Chicago, 1990, pp. 178-79

Yood, James, catalogue essay, “Exhibition 12”, Studio Arts Faculty, School of Art &

Design, University of Illinois at Chicago, Gallery 400, Chicago, IL, 1988

Yood, James, “Tony Tasset (review)”, ArtForum, March 1991, p. 134

“What's happening in New York," Atelier, Magazine of International Art, April, 1994,

p. 45

 

PUBLIC COLLECTIONS

Smart Museum of Art, University of Chicago, IL

Laumeier Sculpture Park, St Louis, MO

Carnegie Museum of Art, Pittsburgh, PA

The Baltimore Museum of Art, Baltimore, MA

The Art Institute of Chicago, Chicago, IL

The Museum of Contemporary Art, Chicago, IL

Museum of Contemporary Art, Los Angeles, CA

The San Francisco Museum of Art, San Francisco, CA

Goldblatt's Building, City of Chicago, Chicago, IL

Nathan J. Manilow Sculpture Park, University Park, IL

David L Lawrence Convention Center, Pittsburgh, PA

Museum Fur Modern Kunst, Frankfurt, Germany

Milwaukee Art Museum, Milwaukee, WI

 

EDUCATION

1985

M.F.A., The School of the Art Institute of Chicago, Chicago, IL

1983

B.F.A., The Art Academy of Cincinnati, Cincinnati, OH

Northwestern University, Evanston, IL

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